music NEWS: Anthrax – Anthems
Chris Ward stops listening to doom long enough to fit in thrash metal loons Anthrax’s latest covers EP Anthems.
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music REVIEW: Shouting Signals – Stand Your Ground
Henry Fogarty tries a debut EP from an emerging Essex quintet, and tries not to feel old and jaded.
music NEWS: Round-Up: Progressive Death Metal
Phil Whitehouse casts judgment on a selection of releases from the brainier, widdlier end of the death metal spectrum, courtesy of Over Your Threshold, Sentence, Okular, Chosen and Supuration.
music REVIEW: Hellbound Hearts – Outside
These York-based punk ‘n’ rollers sound as big as the Foo Fighters and catchier than The Offspring. Ryan Neal reviews Hellbound Hearts’ Outside EP.
music ARTICLE: Round-up: Grindcore and Powerviolence
Mike Perry plumbs the depths of the OneMetal album review queue to cast a critical ear over a handful of grindcore and powerviolence records that passed us by the first time round.
music ARTICLE: Round-Up: Dark and Heavy Doom Metal
Oliver Longden trawls through the darker, danker, more miserable climes of the OneMetal review queue to bring you this round-up of releases by doom metallers A Tree of Signs, Alunah, Clamfight, XII Boar and Pombagira.
music REVIEW: Stratovarius – Unbreakable
Ever since Stratovarius’ new album was officially announced, Nick Cleeve has been emitting a constant, high pitched whining sound. To try to silence him, we threw a copy of the Finnish superstars’ latest EP into his enclosure. It seems to have had the opposite effect…
music REVIEW: When We Were Wolves – The More Things Change the More we Stay the Same
Henry Fogarty checks out the ‘The More Things Change The More We Stay The Same’, the debut EP by Welsh metalcore quintet When We Were Wolves.
music ARTICLE: Round-Up: Grindcore
In this Grindcore-flavoured edition of Round-Up, Phil Whitehouse checks out releases by Bolesno Grinje, Temblad, Liberteer, Subliminal Chaos and Human Cull.
music REVIEW: Immension – Immension
Nicholas Cleeve is forced to get the beating stick out in order to adequetely deal with Sheffield metalcore mob Immension’s self-titled debut EP.
music REVIEW: Where The Skeletons Play – Generation Wars EP
Studio-based duo Where The Skeletons Play claim to have utilised, among other things, an amp from a Motorhead tour, drum mics from Beatles sessions and a sound desk that appeared in a Bond film. This alone intrigued Dani enough to give their ‘Generation Wars’ EP a spin…
music REVIEW: Fates Upon Us – Fates Upon Us
Ryan Neal checks out the debut EP from Sheffield metalcore upstarts Fates Upon Us. Will they be the next big thing to hit the British isles?
music REVIEW: Klone – The Eye of Needle
Phil Whitehouse receives a handy introduction to the sound of French progressive/grunge/post-metal sextet Klone in the form of three-track EP ‘The Eye of Needle’.
music REVIEW: Panzerbastard – Gods, Thugs & Madmen
What happens when four metal-loving members of various Boston hardcore acts get together? OneMetal.com’s Danny Heaton checks out Panzerbastard’s ‘Gods, Thugs & Madmen’ to find out.
music REVIEW: Amongst Carrion – We That Should Not Be
Ryan Neal’s been digging up dead bodies again and Amongst Carrion he stumbled across the We That Should Not Be EP. It doesn’t half smell, though.
music REVIEW: Ourfamous Dead – I Am Human
These Leeds lads’ debut EP, I Am Human, has been making waves up north. Ryan Neal gives it the OneMetal seal of approval.
music REVIEW: Twilight’s Embrace – Traces
Ryan Neal locked himself in a darkened room to weep and recite romantic poetry in order to best understand Twilight’s Embrace’s doomy new EP, Traces. It’s great. Come inside to find out more.
music REVIEW: Senser – Biting Rhymes EP
Senser are back with an appetising EP to what probably will be an full length album full of Tory bashing.
music REVIEW: Flights – Flights
Complicated post-rock band Flights are set to divide rock lovers with their debut EP, which fuses the meandering and experimental with the heaviest of rocking.
music REVIEW: XisForEyes – Insidious Existentialism
Zakk Appleyard resists pointing out that X is actually for xylophone, as he gets to grips with Newcastle’s premier deathsters’ newest offering.