Graham Gough gets to hang-out with the Roman soldiers of the Ninth Legion in Neil Marshall’s latest film, Centurion. But there’s little time for reflection in this rip-roaring historical epic from the director of Dog Soldiers.

After the UK premiere was pulled from Frightfest, Onemetal takes a look at the current bête noire of horror, Serbian Film. Is it the parable of Serbian plight its creators believe, or just another Saw-like torture porn film? Find out here.

With Frightfest 2010 in full swing, roving reporter Emma Hacking attends the premiere of Aussie shocker Damned By Dawn. Gregg Araki doesn’t know what he is missing.

Resident vegan Graham Gough wades through Frightfest 2010’s carnivorous throng of movie geeks, horror nuts, hipsters, foreign office officials and Kim Newman to bring you his take on cannibalistic Mexi-horror We Are What We Are.

Movies and games have been inseparable from four-wheeled motoring madness since their inception. David Cox takes a peek over the parapet to sniff the high-octane emissions emanating from the best and worst of the genre…

With Frightfest 2010 in full swing, we chatted with The Dead’s producer, Amir Moallemi, about his experiences working on the film. We found Amir in fine form, revealing loads of info on the production, the controversy and slow-moving zombies.

Emma Hacking always wanted to hang-out with crazy-faced character actor Gary Busey and learn some life lessons the insane way, but Comedy Central’s Adam de la Pena got there first. Read all about their bizarre adventures in Busey land.

We check out the first trailer for Ultramarines, the forthcoming CGI-generated movie based on the successful Games Workshop franchise, and it’s signed up a host of top voice talent…

Mark Dryden checks out ‘The Jacknife Chronicles’, a 12-minute piece of Machinima loosely based on the games Mirror’s Edge and Half Life 2, created using the Source Engine and Garry’s Mod.

Oliver Longden investigates the Bruce Dickinson-scripted occult horror film, Chemical Wedding. Is it the final frontier of great horror movies or enough to make Aleister Crowley turn in his grave?