After just 22 minutes, Guns N’ Roses frontman Axl Rose stormed off stage after somebody threw a bottle of water. See the video here.

In this week’s episode we totally fail to even approach to our chosen topic of digital distribution. Instead, we discuss Shank, Scott Pilgrim (game and movie), The Unwritten, 8-bit chip tunes, John Woo’s Red Cliff, and Oliver learns the expression ‘Beast Mode’, which unfortunately he quite likes.

The controversy over file-sharing in music rages on. The latest musical luminaries to step into the ring? U2 manager Paul McGuinness, and Dublin-based thrash metallers Gama Bomb’s vocalist, Philly Byrne. Find out what they had to say within!

We grabbed some time with Daniel Davies and Rob Oswald from stoner rockers Karma To Burn. Read on as Mark Wrigley discovered Rob doesn’t want ice cream rammed down his throat.

Popular Los Angeles-based metalcore quintet In This Moment return with their latest album, A Star-Crossed Wasteland – click on to see what Ross Allen thought!

Although Oliver Longdon is not in this week’s episode his offensive language quota was filled neatly by Sacred Mother Tongue. Listener discretion is advised.

San Francisco progressive/folk/trad metal luminaries Hammers Of Misfortune’s critically-acclaimed first four albums have been re-released by Metal Blade – check out our appraisal of the band’s lauded debut within!

Papa Roach blew us away at Sonisphere, we’re hugely excited about seeing them on The Taste of Chaos tour too… But delivering a part live, part recorded album… is it a cop out or a winner?

Swedish metallers Sonic Syndicate really opened our eyes to their presence with their captivating set on the legendary Ronnie James Dio stage at Download this summer, so we gave Paige Manley a copy of their forthcoming album to see if she was still impressed.

Black Label Society return with their eighth studio album, “Order of the Black”, on Roadrunner records, their first release since 2006’s “Shot to Hell”. So, what has a four-year sabbatical meant for Black Label Society and what has it done for their music? Ross Allen finds out…